sethg

2 pounds of orange carrots
2 pounds of Chioggia beets
3 pounds of new potatoes (both yellow and red skinned types; I chose some teeny tiny ones, and some larger, aiming to avoid any that had some green, while internally doing the dance of happy potatoes)
6 yellow onions (I chose ones as large as I could find; there are never enough onions!)
6 heads of garlic
8 smallish eggplants (I chose regular Italian ones)
6 summer squash (I chose some zucchini, a zephyr (two-toned), and some pattypan ones that are wildly variegated green and gold all over; all medium to small)
1 ruffled Napa cabbage, medium (though I realized on the walk home that I was probably reading the wrong side of the list for this, and I should have picked up 2 (or, more likely, swapped the other one); ah, well)
2 bunches of cooking greens (I chose collards over purple kale or Swiss chard)
20 medium to large red tomatoes
take-what-you-want herbs and hot peppers (I took a few of each type of hot pepper (jalapeno, Hungarian hot wax, cayenne), plus parsley, sage, and some red shiso (also available: holy basil, thyme, and possibly others I didn’t notice))

First thoughts: there are never enough onions or potatoes; I’d be happy to get twice this amount, or more (and those with the small share got half of this!). Herb salts. Roasted potatoes with chopped sage. Collards with mashed potatoes. Stir-fried onions, carrots, and Napa with garlic, tofu, ginger, and soy sauce. More bouts of ratatouille. Pickled carrots. Pickled hot peppers. Fermented hot pepper sauce. Canned crushed tomatoes. Sauted onions and collards with some form of sausage (vegan or actual meat), also some carrots and hot sauce from last year’s hot peppers.

watersword posting in

thisfinecrew

The Don’t Stand for Taking Employed Americans’ Livings (Don’t STEAL) Act is being reintroduced to Congress; it would make wage theft a felony nationwide.

Wage theft costs American workers more than $50 billion annually. That is more than the value of all robberies, burglaries, and motor vehicle thefts combined.

Contact your representative and tell them to co-sponsor and commit to voting yes on this.

bloodygranuaile

When I first started taking Irish nearly ten years ago, the textbook we used in our beginner’s class was Éamonn Ó Dónaill’s Gaeilge Gan Stró! Beginners Level: A Multimedia Irish Course for Adults. I can’t entirely remember how far we got into this book in the various semesters I took in the beginner’s course, but we got a decent way in some semesters and we never entirely finished it.

This summer, some of mo chairde from my current Irish course, who also had this book from previous beginner courses, suggested that we work our way through it over the summer when we didn’t have class. I suggested we do two chapters a week for the first 8 chapters, which for most of us were review, and then 1 chapter a week for the rest of it. Voila, over the course of 11 weeks of summer, I have now done all 15 chapters, and for the first time in 10 years have actually finished the textbook!

As far as textbooks go, it is very usable. It comes with 4 CDs (dated!) that allow it to include listening and speaking exercises, in addition to the reading and writing ones. The structure is geared toward conversational usage, with chapters arranged by theme (introducing yourself and saying social niceties, clothes and shopping, work, making plans), lots of role-playing sample conversations, and only a few bite-size grammar concepts per chapter. It’s a very different approach than “Irish Grammar You Really Need to Know,” which is by the same author, but I think that’s very valuable because it’s important to tackle a language from a variety of angles. The book also contains tips on studying and on finding other sources that students can use to build their Irish.

Overall I think it’s a very practical and accessible resource, and I’m glad I finally worked my way through all of it.

denise posting in

dw_news

I'll start with the tl;dr summary to make sure everyone sees it and then explain further: As of September 1, we will temporarily be forced to block access to Dreamwidth from all IP addresses that geolocate to Mississippi for legal reasons. This block will need to continue until we either win the legal case entirely, or the district court issues another injunction preventing Mississippi from enforcing their social media age verification and parental consent law against us.

Mississippi residents, we are so, so sorry. We really don't want to do this, but the legal fight we and Netchoice have been fighting for you had a temporary setback last week. We genuinely and honestly believe that we're going to win it in the end, but the Fifth Circuit appellate court said that the district judge was wrong to issue the preliminary injunction back in June that would have maintained the status quo and prevented the state from enforcing the law requiring any social media website (which is very broadly defined, and which we definitely qualify as) to deanonymize and age-verify all users and obtain parental permission from the parent of anyone under 18 who wants to open an account.

Netchoice took that appellate ruling up to the Supreme Court, who declined to overrule the Fifth Circuit with no explanation -- except for Justice Kavanaugh agreeing that we are likely to win the fight in the end, but saying that it's no big deal to let the state enforce the law in the meantime.

Needless to say, it's a big deal to let the state enforce the law in the meantime. The Mississippi law is a breathtaking state overreach: it forces us to verify the identity and age of every person who accesses Dreamwidth from the state of Mississippi and determine who's under the age of 18 by collecting identity documents, to save that highly personal and sensitive information, and then to obtain a permission slip from those users' parents to allow them to finish creating an account. It also forces us to change our moderation policies and stop anyone under 18 from accessing a wide variety of legal and beneficial speech because the state of Mississippi doesn't like it -- which, given the way Dreamwidth works, would mean blocking people from talking about those things at all. (And if you think you know exactly what kind of content the state of Mississippi doesn't like, you're absolutely right.)

Needless to say, we don't want to do that, either. Even if we wanted to, though, we can't: the resources it would take for us to build the systems that would let us do it are well beyond our capacity. You can read the sworn declaration I provided to the court for some examples of how unworkable these requirements are in practice. (That isn't even everything! The lawyers gave me a page limit!)

Unfortunately, the penalties for failing to comply with the Mississippi law are incredibly steep: fines of $10,000 per user from Mississippi who we don't have identity documents verifying age for, per incident -- which means every time someone from Mississippi loaded Dreamwidth, we'd potentially owe Mississippi $10,000. Even a single $10,000 fine would be rough for us, but the per-user, per-incident nature of the actual fine structure is an existential threat. And because we're part of the organization suing Mississippi over it, and were explicitly named in the now-overturned preliminary injunction, we think the risk of the state deciding to engage in retaliatory prosecution while the full legal challenge continues to work its way through the courts is a lot higher than we're comfortable with. Mississippi has been itching to issue those fines for a while, and while normally we wouldn't worry much because we're a small and obscure site, the fact that we've been yelling at them in court about the law being unconstitutional means the chance of them lumping us in with the big social media giants and trying to fine us is just too high for us to want to risk it. (The excellent lawyers we've been working with are Netchoice's lawyers, not ours!)

All of this means we've made the extremely painful decision that our only possible option for the time being is to block Mississippi IP addresses from accessing Dreamwidth, until we win the case. (And I repeat: I am absolutely incredibly confident we'll win the case. And apparently Justice Kavanaugh agrees!) I repeat: I am so, so sorry. This is the last thing we wanted to do, and I've been fighting my ass off for the last three years to prevent it. But, as everyone who follows the legal system knows, the Fifth Circuit is gonna do what it's gonna do, whether or not what they want to do has any relationship to the actual law.

We don't collect geolocation information ourselves, and we have no idea which of our users are residents of Mississippi. (We also don't want to know that, unless you choose to tell us.) Because of that, and because access to highly accurate geolocation databases is extremely expensive, our only option is to use our network provider's geolocation-based blocking to prevent connections from IP addresses they identify as being from Mississippi from even reaching Dreamwidth in the first place. I have no idea how accurate their geolocation is, and it's possible that some people not in Mississippi might also be affected by this block. (The inaccuracy of geolocation is only, like, the 27th most important reason on the list of "why this law is practically impossible for any site to comply with, much less a tiny site like us".)

If your IP address is identified as coming from Mississippi, beginning on September 1, you'll see a shorter, simpler version of this message and be unable to proceed to the site itself. If you would otherwise be affected, but you have a VPN or proxy service that masks your IP address and changes where your connection appears to come from, you won't get the block message, and you can keep using Dreamwidth the way you usually would.

On a completely unrelated note while I have you all here, have I mentioned lately that I really like ProtonVPN's service, privacy practices, and pricing? They also have a free tier available that, although limited to one device, has no ads or data caps and doesn't log your activity, unlike most of the free VPN services out there. VPNs are an excellent privacy and security tool that every user of the internet should be familiar with! We aren't affiliated with Proton and we don't get any kickbacks if you sign up with them, but I'm a satisfied customer and I wanted to take this chance to let you know that.

Again, we're so incredibly sorry to have to make this announcement, and I personally promise you that I will continue to fight this law, and all of the others like it that various states are passing, with every inch of the New Jersey-bred stubborn fightiness you've come to know and love over the last 16 years. The instant we think it's less legally risky for us to allow connections from Mississippi IP addresses, we'll undo the block and let you know.

siderea

Yall, the bowed musical instruments have finally made it to the electronica party. This is the coolest damn thing. Audio required, video also extremely worth it if accessible. 3 min 17 sec.

2025 Aug 11: Open Reel Ensemble: "Tape Bowing Ensemble - Open Reel Ensemble":

磁気テープを竹に張って演奏する民族楽器「磁楽弓（じがっきゅう）」三重奏による調べです

This is a trio performance on the “JIGAKKYU,” a traditional folk instrument made by stretching magnetic tape across bamboo.

Watch on YouTube

ETA: I want to state for the record, contrary to what a lot of commenters on YT are saying, it is not that what is cool here is just how wackily innovative it is to use a reel-to-reel this way. The only reason this is going viral is because of how musically good it is; nobody would care about it otherwise, and I submit for evidence the half century plus of prior art of abusing reel-to-reel recorders in the name of music-making you have probably never heard of, because a lot of it wasn't very compelling as music so nobody ever brought it to your attention. What's most shocking here is how musical it is, and how they use the innovation to do something new in music recognizable as such. It isn't good because it's innovative; it's innovative because it's good.

As far as I am concerned, the great problem for electronic music has always been what I think of as the Piano Problem: the music is made by operating a machine, so there's a machine between the performer and the music. Great pianists master operating the machine so beautifully they make the machine disappear. But this is what makes piano playing hard. So much of what we love in music is its organicness, the aspects of it which are so beautifully expressive because of how intimately the performer's body interacts with the instrument.

Heretofore, the only ways to bring that kind of sound to electronic instruments were to use breath controlled midi controllers (electronic woodwinds), use an electromagnetic interface (e.g. theremin), or get really fantastic on keys. Or give up and embrace the mechanical nature of the instrument and use it for repertoire the excellence of which does not rest in expressiveness (q.v. Wendy Carlos' Bach recordings).

This instrument conclusively brings the organicness of bowing and all its delicate expressiveness to electronica. The result is simply gorgeous and I hope this creative vein is further mined.

siderea

Whelp, it looks like I'm in the market for a cell phone again.

On Saturday night, I noticed something dangling from the corner of my cell phone, which immediately struck me as odd, as there's no aperture in the protective gel case there for something to get stuck. Well, there's not supposed to be. On further inspection, I discovered the corner of the gel case no longer fit over the corner of the phone, and some random shmutzig had gotten wedged... between the back plate of the phone and the rest of the phone, to which it was no longer attached along the bottom. Pressing it back down didn't work: something in the middle of the phone was causing resistance to closing the phone.

Lo, verily, my phone's battery was pregnant.

Some of you who follow me on the fediverse might be thinking, "Wait, didn't you just replace a phone, the battery of which swelled up?" Lol, yes: late April. That was my work phone. This is my personal phone. Lolsob.

So, being a proper nerd, I went right to iFixit to order myself a battery. Whereupon I was stopped by something that did not bode well. I entered my phone's model information and iFixit, instead of telling me what battery to buy, alerted me that it is not possible to determine what kind of battery my phone took from the outside.

It turns out that the OnePlus 9 G5 can take one of two batteries, and which one a given OnePlus 9 G5 takes can only be determined by putting eyes on the battery which is in it.

Well, okay then: I clicked through the helpful link to read instructions on how to pull the battery on a OnePlus 9 G5. I read along with slow dawning horror at exactly how involved it was and how many tools I would have to buy, and made it to step twelve – "Use a Phillips screwdriver to remove the ten 3.8 mm-long screws securing the motherboard cover. One of the motherboard cover screws is covered by a white water ingress sticker. To unfasten the screw you can puncture the sticker with your screwdriver." – of thirty and decided: fuck this, I will hire a professional.

(I think maybe it was a fortunate thing that I went through the prior fiasco with trying to change the battery on the Nuu B20 5G, first, because it softened me to the idea of maybe I don't have to service all my electronics personally myself.)

Alas, it was late on a Saturday night and all the cell phone repair places around me were closed until Monday.

Fortunately, I had a short day Monday and would be getting out of work around 5:30pm. I called ahead to a place that is open to 7pm to ask if I needed an appointment and whether they did OnePlus phones. There was a bit of a language barrier with the guy who answered the phone, but he said no appointment was necessary and whether they could fix my phone would entail putting eyes on it, and please try to come before 6pm to give them time to fix it before they close.

So after work, Mr B took me there, and we presented the phone. Dude got the back of the phone the rest of the way off the phone with rather more dispatch that I would be have been able to, and pretty quickly discovered that he was in over his head. Credit where it's due – "A man's got to know his limitations" – he promptly backed off, and told me to bring it back tomorrow when the more-expert boss was in.

I'm slightly irritated that we made the unnecessary trip instead of him saying, "Oh, a OnePlus, come tomorrow when our OnePlus expert is in", but it did give me the extra time to do more thorough backing-up. I have never managed to get Android File Transfer to work, nor any a number of alternatives; snapdrop.io would only do single files at a time, not whole directories, and, weirdly, Proton Drive, both app and website, doesn't allow uploading whole directories from Android either.

Finally, I saw a mention that the Android app Solid Explorer "does FTP". I wanted to make a local backup to my Mac, but, fuck it, I have servers, I can run FTP somewhere just to get my files backed up off my phone. Imagine my surprise on opening up the "FTP" option on Solid Explorer and discovering it wasn't an FTP client it was an FTP server. Yes, the easiest way I found to exchange files between my Android phone and my MacBook Pro was to put an FTP server on my phone.

Worked fine. My FTP client on my Mac sucks, but I'll solve that another day. (Does Fetch still exist?)

Mr B and I discussed it and decided he'd bring the phone in the next day, Tuesday, to spare me the hike. He returned with the phone, still with the back off, and the news that they had discovered, as I had, you have to get at the battery to even figure out which battery to order. And that he was told that the battery would be in by 3pm the next day (Wednesday). The only surprising thing here is that they could get the battery that fast.

So, today (Wednesday), after 3pm, Mr B took my phone back for a third visit, and they attempted to install my new battery.

It was the wrong battery.

( Hwaet! The saga continues... )

magid

This week’s email let me know that there won’t be any ripe sweet peppers (only hots and green = unripe sweet peppers), because little worms that are the larval stage of pepper maggot flies showed up, and they nom on sweet peppers (but leave the others alone). Nothing to be done about them because the farm is organic, so if I want ripe bell peppers, to the farmers’ market I will go. (So lucky to have options!)

6 medium yellow onions
6 heads of garlic
6 summer squash/zucchini (I chose large-ish green zucchinis again)
8 medium eggplants (I chose a mix of Italian, light purple, and variegated purple-white)
2 pounds of orange carrots
2 pounds of Chioggia beets
2 big heads of romaine lettuce
22 medium-small tomatoes
take-what-you-want herbs and hot peppers (I chose some of the two types of hots (jalapeno and I think cayenne), plus a lot of parsley, some red shiso, and a bit of sage)

First thoughts: can some crushed tomatoes. Roasted beets and carrots. Roasted eggplant and zucchini. Green salad (for romaine, I think I should get some Parmesan and make some croutons). Bulghur with diced tomatoes and parsley (hrm, if I have bulghur right now). A vinaigrette salad of some sort or another. Some kind of eggplant-based Indian dish?

siderea

Yall. I am so tired.

Last thing first. Investigating the other thing, I discovered this. I'll just cut and paste what I submitted as a ticket to Patreon:

I took a break of a few months, and when I came back my fees spiked. What gives?

I just did a month (July 2025) that extremely similar to last January (2025): similar revenues (466.19 vs 458.50), similar patrons (160 vs 162). According to my "Insights > Earnings" page, my total fees went up from 11.4% to the astounding 14.6%. Drilling down, most of that is an eye-watering 3% increase of the payment fees (5.8% to 8.8%). There was also a minor increase of Patreon's platform fee from 5.6% to 5.8%.

That represents a FIFTY-TWO PERCENT INCREASE in processing fees, and a 28% increase in fees over all.

Care to explain? Was there some announced change in payment structure or payment processor fees I missed?

I have received no response.

But the other thing is this: Patreon has dropped my business model.

Apparently by accident.

When I went to Patreon to create the Patreon post for my latest Siderea Post at the end of July, I was confronted with a recent UI update. In and of itself it wouldn't have been a problem, but, as usual, they screwed something up.

They removed the affordance for a post to Patreon to both be public and paid. The new UI conflated access and payment, such that it was no longer possible to post something world-accessible and still charge patrons for it.

I found a kludge to get around it so I could get paid at all, and I fired off a support ticket asking if it was possible but unobvious, or just not possible, and if it was not possible, whether that was a policy or a mistake. I have received very apologetic reply back from Patreon support which seemed to suggest (but not actually affirm) it was an unintentional:

From what we've seen so far, the option to make a post publicly accessible while still charging members for it isn't possible in the new editor. Content within a paid post will only be available to those with paid access, and it won't show up for the public.

Other creators have reported this same issue, and I want to reassure you that I've already shared this feedback with our team. If anything changes or if this feature is brought back, I'll be sure to keep you in mind and let you know right away.

So it's not like the reply was, "Oh, yes, it was announced that we wouldn't be supporting that feature any more," suggesting, contrarily, they didn't realize they were removing a feature at all.

The support person I was corresponding with encouraged me to write back with any further questions or issues, so I did:

Hi, [REDACTED], thanks for getting back to me. I have both some more questions and feedback.

1) Question: Am I understanding correctly, that the new UI's failure to support having publicly accessible paid posts was an oversight, and not a policy decision to no longer support that business model? Like, there's not an announcement this was going away that I missed? As a blogger who often writes about Patreon itself, I'd like to be able to clarify the situation for my readers.

2) Question: Do you have any news to share whether Patreon intends to restore this functionality? Is fixing this being put on a development roadmap, or should those of us who relied on this functionality just start making other plans? Again: my readers want to know, too.

3) Suggestion: If Patreon intends to restore this functionality, given the way the new UI is organized, the way to add the functionality back in is under "Free Access > More options" there should also be a "charge for this post" button, which then ungrays more options for charging a subset of patrons, defaulting to "charge all patrons".

4) Feedback: The affordance that was removed, of being able to charge patrons for world-accessible content, was my whole business model. I'm not the only one, as I gather you already have discovered. In case Patreon were corporately unaware, this is the business model of creators using Patreon to fund public goods, such as journalism, activism, and open source software. My patrons aren't paying me to give them something; my patrons are paying me to give something to the world. Please pass this along to whomever it's news.

5) Feedback: This is the sort of gaffe which suggests to creators that Patreon is out of touch with its users and doesn't appreciate the full breadth of how creators use Patreon. It is the latest in a long line of incidents that suggests to creators that Patreon is not a platform for creators, Patreon is a platform for music video creators, and everybody else is a red-headed stepchild whom Patreon corporately feels should be grateful they are allowed to use the platform at all. It makes those of us who are not music video creators feel unwelcome on Patreon.

6) Feedback: Being able to charge patrons for world-accessible content is one of a small and dwindling list of features that differentiated Patreon from cheaper competitors. Just sayin'.

7) Feedback: I thought you should know: my user experience has become that when I open Patreon to make a post, I have no idea whether I will be able to. I have to schedule an hour to engage with the Patreon new post workflow because I won't know what will be changed, what will be broken, etc. It would be nice if Patreon worked reliably. My experience as a creator-user of your site is NOT, "Oh, I don't like the choices available to me", it's that the site is unstable, flaky, unpredictable, unreliable.

I got this response:

Hi Siderea,

Thank you so much for your thoughtful follow-up and for sharing your questions and feedback in such detail.

To address your first question, I can’t speak to whether this change was an oversight or a deliberate policy decision, but I can confirm there hasn’t been any official announcement about removing the ability to charge members for world-accessible posts. If anything changes or if we receive more clarity from our product team, I’ll be sure to keep you updated.

At this time, I also don’t have any news to share about whether this functionality will be restored or if it’s on the development roadmap.

I know that’s not the most satisfying answer, but I want to reassure you that your feedback and suggestions are being shared directly with the relevant teams. The more we can highlight how important this feature is for creators like you, the better.

Thank you as well for your suggestion about how this could be reintroduced in the UI—I’ll make sure to pass that along, along with your broader feedback about the impact on creators who fund public goods. Your perspective is incredibly valuable, and I just want to truly thank you for taking the time to lay it all out so clearly.

If you have any more thoughts, questions, or ideas, please let me know, and I’ll be happy to take a further look. I appreciate your patience and your willingness to advocate for the creator community.

All the best,
[REDACTED]

Several observations:

0) Whoa.

1) That is the best customer service response letter I've ever gotten, for reasons I will perhaps break down at some other junction. But it both does and does not read like it was written by an AI. I didn't quite know what to make of it, until someone mentioned to me the phenomenon of customer service agents at another org using AI to generate letters, and then I was like, oooooooh, maybe that's what this is. Or maybe not. Hard to say.

2) Though [REDACTED] could not confirm or deny, it sure sounds like an accident, but one that impacts such an uninteresting-to-Patreon set of creators that they can't be arsed to fix it, either in a timely way or at all.

3) "The more we can highlight how important this feature is for creators like you, the better." is a hell of a sentence. Especially in conjunction with "...along with your broader feedback about the impact on creators who fund public goods.". Reading between the lines, it sure sounds like the support people have been inundated by a little wave of outraged/anguished public-good posters, and the support people, or at least this support person, is entirely on the creators' side against higher ups brushing them off. Could be a pose, of course, but, dayum.

So that's what I know from Patreon's side.

The kludge I came up with for the post I made at the end of July is that I used another new feature – the ability to drop a cut line across a Patreon post where above it is world readable and below it is paid access only – to make a paid-access only post where 100% of the post contents are above the cut line.

Please let me know if it's not working as intended. This unfortunately has the gross effect of putting a button on my new post saying "Join to unlock".

So.

In any event, I strongly encourage those of you following me as unpaid subscribers over on Patreon to make sure you're following me, instead, here on Dreamwidth, because Patreon is flaky.

I will make a separate post with instructions as to all the ways to do that. You can get email notifications of my posts (either all or just the Siderea Posts), follow RSS and Atom feeds, get DM inbox notifications, and, of course, just follow me on your DW reading page, all on/through Dreamwidth, anonymously and completely free.

bloodygranuaile

I have had adrienne maree brown’s Emergent Strategy sitting on The Big Shelf of Unread Leftist Literature for a few years, although not nearly as embarrassingly long as some other items on that shelf. I brought it with me to the DSA Convention in Chicago and read it mostly in O’Hare airport and on the plane back.

I admit I had very mixed feelings about this book, coming to it through almost a decade of socialist organizing and having developed a number of my own suspicions, cynicisms, and general discourse allergies (and also coming immediately out of convention). The bits I liked best were the parts where brown was being either a) concrete or b) gently mean. Frankly, this meant that for me, 80% of the value of the book came in the final 20%, where we get actual tools for facilitation, like agenda templates, sample community agreements, assessment checklists, further reading recommendations, and–my favorite–a list of People Not To Be In A Meeting. (My favorite “don’t be that person in meetings” piece is Mao’s On Practice, but trying to get other people to read Mao can be iffy, so I’m frankly pretty stoked to have a similar list from someone with anarchist credentials.)

The first part of the book has some interesting ideas and anecdotes and was frankly fun to read in a “I would like to hang out in a coffeeshop with adrienne maree brown and shoot the shit about sci-fi” kind of way, but I found it a bit vague and touchy-feely for my liking. I am a deeply vagueness-averse person to start with, and extra suspicious of vagueness in activist spaces. “Emergent strategy” as a concept is based on Octavia Butler’s Earthseed series, which is in fact great and brown is right that you should in fact drop whatever you’re doing and go read it immediately, and seems to be kind of like a variation on dialectics except it’s about the synthesis of more than two sides rather than two opposing sides. This is more reflective of real life but also, apparently, harder to pin down into real concrete case studies that the reader can follow in detail, so instead we get a lot of short anecdotes, references out to other resources, and metaphors about nature. I don’t think the book is entirely intended to be a how-to manual so it seems vaguely unfair to judge it as a how-to manual, but frankly, I want a how-to manual. I just don’t want, need, or trust any more poetical-sounding frameworks. (Activist poetics is one of the things I’ve developed a discourse allergy to over the years.)

The main thing that tends to ruin any sort of even slightly abstract or poetical activist writing for me is I absolutely cannot turn off the little voice in my head reading everything through the lens of “How does this sound once you run it through the ‘self-absorbed straw-leftist I used to think were figments of New York Times opinion writers’ imaginations’ filter?”, or what Eve Sedgwick calls a paranoid reading. I am in theory anti-paranoid-readings because frequently it seeps into fiction that is trying to be high-minded and political and then you end up with a futuristic space opera that clearly is afraid it’s going to be yelled at on 2018 Twitter. But while I get annoyed at novels that are afraid of being yelled at on Twitter, I give a semi-defeated laugh of solidarity at activist writings that are 90% caveats, clearly trying to gentle-parent people with determinedly minimal reading comprehension and maximum defensiveness through basic ideas like “An event planning meeting isn’t therapy.” I understand why they have to do this, and I get nervous when I read stuff that doesn’t seem to be correcting for it. Brown has, in the years since Emergent Strategy was published, written a bunch of stuff specifically about the self-righteous bad habits of many social justice organizing spaces, but when she wrote this in 2017 it seems like she might have been in a more innocent place (although still clearly familiar with many of the ways people can derail meetings, waste time, and seed conflict) and the book is well short of 90% caveats. Also, some of the material seems written under an assumption of at least somewhat more definitively bounded community than the one I organize in, like a nonprofit that has staff that you can hire on purpose, rather than all-volunteer spaces with low barriers to entry and public meetings.

This filter even kind of ruined the stuff I like, because my brain couldn’t stop running through “social justice buzzword word salad” objections I have seen in the wild to things like writing proposals, starting and ending meetings on time, and not taking everything personally. And I hate that I found myself, like, slotting things I already knew away in my head for the purpose of having a properly demographically credentialed source for basic shit, because I know that if you say “decorum” that sounds conservative and fussy but if you say “community agreements” that has sufficient radical cred and is OK.

As a result I am very hesitant to say that the book is actually failing in any way; it is just clear to me that I have sustained far too much psychological damage to be a good reader for it. I get leery any time the writer assumes the reader isn’t stupid. That is unequivocally bad on my end. I need to like, meditate and then go through the book again and mark out the bits that are useful so I can refer back to them without being sent into a total mental spiral by metaphors about mushrooms or any use whatsoever of the word “sacred.”

dsrtao

Proper pickling of vegetables requires:
- sterilization of equipment
- proper canning technique
- proper measurement of salt, acid, and/or sugar, possibly including fiddly fermentation (aka luck with microorganisms).

And they last for months to years, and are very salty/sour/sweet.

Refrigerator pickles, on the other hand, need much less care and can taste much less extreme -- but they last weeks to months rather than months to years. And they need to be refrigerated, hence the name.

Over the last few days I have been turning local cucumbers into fair imitations of half-sours, garlic dills, bread-and-butter pickles, and the weird one which I call "boring pickles" -- salt, vinegar and turmeric, nothing else. Half my household likes them on sandwiches. They resemble the ones that low-end fast-food burger joints use.

And, for really near-term consumption, about three liters of chopped salad (the kind called, variously, Arab, Israeli, Shirazi, Serbian, Kachumber...) which I estimate will last three days.

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February 2020

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Refrigerator Pickles

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